This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals.
Like the other two volumes in this series, "Music History from the Late Roman through the Gothic Periods, 313-1425" and "Music History During the Renaissance Period, 1425-1520," this volume will be an important research tool for anyone interested in music history.
With an introductory chapter discussing the very earliest productions--The Beggar's Opera (1750), The Archers (1796), Tom and Jerry (1823), and The Bohemian Girl (1844)--A Chronology of American Musical Theater offers in-depth coverage of Broadway musicals from 1850-2001. The book's entries span more than 5,000 shows, including not only "book musicals" but also revivals, revues, burlesques, operettas, farce comedies, comic operas, ice skating shows, rock operas, and other musical spectacles that appeared on Broadway stages.
It's a special day in 1950s Harlem, and C. J., an aspiring young jazz musician, is excited. His trumpet-playing Uncle Click is getting ready to be photographed by Highnote magazine. When Uncle Click can't find his signature black beret, C. J. volunteers to retrace his uncle's steps from the previous day to find the hat.
As C. J. races to Uncle Click's favorite hangouts-from Garlic's Barbershop to the Midnight Melody Club-a buzz about the photo shoot begins to stir in the Harlem air. C. J. returns home without the hat, but news of the photo has spread like wildfire. Soon all the best jazz musicians in the neighborhood have shown up at Uncle Click's front door for a photo shoot of historic proportions.
Sweet Music in Harlem captures the energy and excitement of a magical time in Harlem's jazz history, highlighting the dynamic friendship of a close-knit community.
While under arrest in 1750 on suspicion of producing a seditious pamphlet Eliza Haywood insisted she 'never wrote any thing in a political way'. This study of her life and works, the first full-length biography in almost a century, views Haywood's life through the prism of her shifting political allegiances. Known today for her novels of sexual passion, Haywood wrote much in the 'political way'. She exposed ongoing financial corruptions in her early scandal chronicles. By the mid-1730s she had joined the campaign to topple Walpole, attacking him in the blistering Oriental satire Eovaai (1736) and performing on stage in Fielding's final plays at the Haymarket. In the forties and fifties she produced political journalism for various factions in the Opposition. She sold anti-ministerial propaganda at her own pamphlet-shop at the Sign of Fame in Covent Garden, wrote a Jacobite weekly paper attacking the Duke of Cumberland and promoted the mid-century cult of the Patriot Prince in the deceptively entitled Epistles to the Ladies (1749-50).
Serial or 12-tone music has proved to be an enduring 20th century style that has generated a wide range of writings. This much-needed work provides the only comprehensive, up-to-date guide to research on serial music, offering an annotated bibliography with nearly 500 citations from books and journals from 1950 to 1995.
Sauce Music Articles
Sauce Music Books