How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music and Indian Classical music in the 18th and 19th centuries, laying the ground for a contemporary exploration of what is ostensibly sacred music in South Asia. Offering a potent critique of musicological knowledge-making, Virinder S. Kalra explores examples of South Asian musics in various domains and traverses a new cartography of music in which the sacred and the secular overlap.
Drawing on examples which include Qawwali, kirtan and popular devotional genres,Sacred and Secular Musics offers new empirical material, as well as new insights into conceptualising religion and music, and the ways in which music performs sacredness and secularity across the contested India-Pakistan border in the region of Punjab.
Through its deconstruction of the sacred/secular opposition, Sacred and Secular Musics explores the relationship of religion and music to wider questions of religion and politics. Its postcolonial approach brings Asia into the Western sacred/secular opposition, and provides a set of analytical tools - a language and range of theories - to allow further exploration of non-western religious music.
Lesson Book 1 is pre-reading. Concepts taught are: How to sit at the piano; Correct hand position; High and low; Loud and soft (forte and piano); Keyboard topography; Bar line and measure, Quarter, half, whole notes and rests; and Repeat signs. The first pieces in the book are played on the black keys. Later in the book, C D E for the RH and C B A for the LH (Middle C position) are taught with letter notes (the name of the note is written inside the note head).
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier?
This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
The call for second edition of this book a short time after appearance of the first, is worth apperception for W A Dewey. It is designed as a companion to the "Essential of Homeopathic Materia Medici", and has created for itself, the required space. Although named therapeutics, it is materia medica arranged in question answer form. The book has been thoroughly revised and numerous errors, which appeared in first edition have been rectified and many characteristic indications added.
A long-awaited, contemporary revision and expansion of the classic 1977 text by Paul Nordoff and Clive Robbins that laid the foundations for the widening development of their pioneering improvisational practice of music therapy. It is a large format book of nineteen chapters and over 500 pages?yet it is a book to be listened to as much as read. The core of the book's content is to be gained through the ear. The original edition?the first music therapy text to make audio recordings of therapy sessions publicly available?contained one hour of recordings. The revised edition includes almost five hours of clinical work on four CDs. The 160 annotated excerpts taken from courses of improvisational music therapy with twenty-four variously disabled children present a kaleidoscopic range of creative musical-clinical phenomena.
Sauce Music Articles
Sauce Music Books