An excerpt from the beginning of the first chapter: It was probably never so universally admitted as in the present day that the foundation of all true knowledge is, and must be, the study and acquaintance with the great classics which have been handed down to us by our ancestors. Only thus can such assured progress be made, when we so profit by the teachings of others as to gather new strength for the advancement of knowledge. The study of the works of the old masters has also this negative advantage - it convinces empty pretenders of their emptiness, and turns their attention to the calm enjoyment for themselves and the spreading a knowledge amongst other of the grand models we have inherited from bygone times. Real geniuses, such as Plato, Raphael, and Shakespeare, appear but seldom; but they have influenced many generations, and their power has been felt through the ages. Therefore is it a most sorry conceit for any man, through confidence in himself, to neglect the study of the great spirits of former days, and thus to say in effect that he is able to produce what they produced. Amongst the younger race of educated men it is a point of honour to study the classics; and an aspiring painter would no more dare to deride the study of Raphael, Michael Angelo, Van Eyck, and Durer, than would a young poet give to the world a new Iliad, or King Lear, without first studying the undying works of Homer and Shakespeare. Thus it is that in poetry, in painting, and in architecture, we see a freshness and vigour pleasant to behold, though frequently enough a want of power prevents the mightiest efforts of the will from achieving full success.
There is hardly an aspect of internet music promotion, sale and distribution which does not have a legal dimension. Since the stakeholders in the process includes artists, their managers, music publishers, record companies, distribution companies and the consumer, the law relating to internet music distribution is extremely complex. Andrew Sparrow's Music Distribution and the Internet provides those connected to the music and media industries with a guide to the legal requirements they must meet, answering questions such as: Ã¢Â¢ How should you conclude contracts with consumers over the internet? Ã¢Â¢ What are the various legal terms and conditions that should govern the sale of physical product to online music buyers? Ã¢Â¢ How should a website user's personal information be handled? Ã¢Â¢ What limitations are there on the way this data may be used for ongoing marketing of an artist's work or the merchandise associated with it? Ã¢Â¢ What are the latest copyright laws in this area and how do they apply to the internet? The book provides practical advice on how to approach key relationships with the internet buying consumer and other online media providers. The law is explained in straightforward terms and applied throughout in a music business context. Music Distribution and the Internet is an essential reference for anyone seeking to exploit and protect their rights and those of their artists in the rapidly expanding, constantly evolving and fascinating arena that is new media.
From the favorites of Tin Pan Alley to today's international blockbusters, the stylistic range required of a musical theatre performer is expansive. Musical theatre roles require the ability to adapt to a panoply of characters and vocal styles. By breaking down these styles and exploring the output of the great composers, Songwriters of the American Musical Theatre offers singers and performers an essential guide to the modern musical. Composers from Gilbert and Sullivan and Irving Berlin to Alain Boublil and Andrew Lloyd Webber are examined through a brief biography, a stylistic overview, and a comprehensive song list with notes on suitable voice types and further reading. This volume runs the gamut of modern musical theatre, from English light opera through the American Golden Age, up to the "mega musicals" of the late Twentieth Century, giving today's students and performers an indispensable survey of their craft.
The New York Times and #1 internationally bestselling author of Secret Daughter returns with an unforgettable story of family, responsibility, love, honor, tradition, and identity, in which two childhood friends-a young doctor and a newly married bride-must balance the expectations of their culture and their families with the desires of their own hearts.
The first of his family to go to college, Anil Patel, the golden son, carries the weight of tradition and his family's expectations when he leaves his tiny Indian village to begin a medical residency in Dallas, Texas, at one of the busiest and most competitive hospitals in America. When his father dies, Anil becomes the de facto head of the Patel household and inherits the mantle of arbiter for all of the village's disputes. But he is uneasy with the custom, uncertain that he has the wisdom and courage demonstrated by his father and grandfather. His doubts are compounded by the difficulties he discovers in adjusting to a new culture and a new job, challenges that will shake his confidence in himself and his abilities.
Back home in India, Anil's closest childhood friend, Leena, struggles to adapt to her demanding new husband and relatives. Arranged by her parents, the marriage shatters Leena's romantic hopes, and eventually forces her to make a desperate choice that will hold drastic repercussions for herself and her family. Though Anil and Leena struggle to come to terms with their identities thousands of miles apart, their lives eventually intersect once more-changing them both and the people they love forever.
Tender and bittersweet, The Golden Son illuminates the ambivalence of people caught between past and present, tradition and modernity, duty and choice; the push and pull of living in two cultures, and the painful decisions we must make to find our true selves.
A Field Guide to Student Teaching in Music is a practical guide focused on the link between music education coursework and the field-based aspects of the student teaching experience. It addresses general topics that are common to all music placements, as well as those topics that are of specific interest to the general, choral, and instrumental music classrooms.
This text builds on theoretical materials typically covered in music methods courses, yet it is not specific to any one particular teaching pedagogy, making it flexible enough for use in a variety of music teaching settings. It will guide students through the student teaching process as they make the transition from student to music educator.
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