Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world.
The Fiddle: A Research and Information Guide is the first large-scale annotated bibliography and research guide on the fiddle traditions of the United States and Canada. These countries, both of which have large immigrant populations as well as Native populations, have maintained fiddle traditions that, while sometimes faithful to old-world or Native styles, often feature blended elements from various traditions. Therefore, researchers of the fiddle traditions in these two countries can not only explore elements of fiddling practices drawn from various regions of the world, but also look at how different fiddle traditions can interact and change. In addition to including short essays and listings of resources about the full range of fiddle traditions in those two countries, it also discusses selected resources about fiddle traditions in other countries that have influenced the traditions in the United States and Canada.
Here is a poem collection for everybody to lie back comfortably in their couch holding a cup of cocoa and lose themselves into a world of thoughts. These thoughts seem to be so rhythmic that we call them 'Musical Thoughts'. The poems in this book mainly focus on nature, human behaviour and elements which influence mood of a person. The verses of this book may reflect one or other point of your life. Just reading them may make you think that the author lives in an imaginary world but a deeper look at the words will reveal you something very real, something to which you can relate yourself.
Lizette, the French nurse, came softly and lightly down the stairs and found Frank Merriwell pacing the library floor, while Bart Hodge and Elsie Bellwood talked to him soothingly. "Madame will see you now, saire," said the nurse, with a little curtsy. "Ze doctaire he is gone now some time. Madame she is comforterbill. She say she see you-alone." Frank was all eagerness to go. He bounded up the stairs, two at a time, scarcely heeding the white-capped nurse, who hurried after him, softly calling: "Not on ze rush, saire. You make ze rush, you gif madame ze start."
Informed by her in-depth ethnomusical knowledge, the result of detailed fieldwork, Mans's book is about musical worlds and how we as people inhabit them. The book asserts that an understanding of our musical worlds can be a transformative educational tool that could have a significant role to play in multicultural music and arts education. She explores the way in which musical expression, with its myriad cultural variations, reveals much about identity and cultural norms, and shows how particular musical sounds are aesthetically related to these norms. The author goes further to suggest that similar systems can be detected across cultures, while each world remains colored by a distinctive soundscape. Mans also looks at the way each cultural soundscape is a symbolic manifestation of a society's collective cognition, sorting musical behavior and sounds into clusters and patterns that fulfill each society's requirements. She probes the fact that in today's globalized and mobile world, as people move from one society to another, cross-cultural acts and hybrids result in a number of new aesthetics. Finally, in addition to three personal narratives by musicians from different continents, the author has invited scholars from diverse specializations and locations to comment on different sections of the book, opening up a critical dialogue with voices from different parts of the globe. Musical categorization, identity, values, aesthetic evaluation, creativity, curriculum, assessment and teacher education are some of the issues tackled in this manner.
Sauce Music Articles
Sauce Music Books