Ethnomusicologists believe that all humans, not just those we call musicians, are musical, and that musicality is one of the essential touchstones of the human experience. This insight raises big questions about the nature of music and the nature of humankind, and ethnomusicologists argue that to properly address these questions, we must study music in all its geographical and historical diversity.
Congregational music can be an act of praise, a vehicle for theology, an action of embodied community, as well as a means to a divine encounter. This multidisciplinary anthology approaches congregational music as media in the widest sense - as a multivalent communication action with technological, commercial, political, ideological and theological implications, where processes of mediated communication produce shared worlds and beliefs. Bringing together a range of voices, promoting dialogue across a range of disciplines, each author approaches the topic of congregational music from his or her own perspective, facilitating cross-disciplinary connections while also showcasing a diversity of outlooks on the roles that music and media play in Christian experience. The authors break important new ground in understanding the ways that music, media and religious belief and praxis become 'lived theology' in our media age, revealing the rich and diverse ways that people are living, experiencing and negotiating faith and community through music.
I grew up on the tales I heard around my Grandma Frank's kitchen, of life in Kentucky, as told by my mother, Nora, Aunt Lucille, Aunt Annie, Cousin Etta and Grandma. They told ghost stories about Indian princesses and big stallions, funny stories about the big ol' sway back white horse, Dollar. Scary stories, told by the kids as they walked to school, about the wolves following them on the edge of the woods. They fed them biscuits from their shortening can lunch buckets, thinking they were dogs. Stories of fireballs racing through the house at night. Little people, romance, magic, herbs, medicine men and women, witches and Indian kidnappings. I didn't want these stories to be forgotten so I wrote 'The Cumberland Witch' for my grandchildren. But there were so many stories that I couldn't fit into the novel that I began a sequel, 'Cumberland Music'. I named the heroine Music for the 105-year-od midwife that delivered my father in 1912, one week after the Titanic sank.
Great & practical teaching from God's word. This is a book you might want to take everywhere you go. It simply and powerfully teaches how to grow in relationship with God, get free from bondage and operate in His love & power to see miracles through prayer for those we minister to. The focus of this book is on right identity and what believers have in Jesus. Being able to walk in God's love, free from offense, is key to knowing God, living out life as a coworker with Jesus and in having victory in spiritual warfare. With unique insights from Gods word, it will break chains that have kept so many Christians in bondage simply and easily. Knowing God also contains many healing testimonies, great instruction on healing and a scripture strip index in the back of the book for super small group meetings.
World-wide in scope and focusing on the second half of the 20th century, this work provides biographies and discographies of some 500 composers and conductors of light and popular orchestral music, including film, show, theatre and mood music. The book is arranged in two sequences: 1) Biographies and select discographies, both arranged alphabetically, of the well-known and better-known conductors and composers. These entries also include a list of suggested reading for those wishing to further their studies; and 2) Select discographies of conductors about whom little or no biographical information is available. The bibliography at the end of the book covers discographical sources, popular music and film music. This is the first time that the lives and recordings of such artists as Kostelanetz, Faith, and Gould as well as the orchestral recordings of such great popular composers as Gershwin, Kern, Porter, Rodgers, Berlin and Coward have been documented and presented in an encyclopedic form.
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